Dedicated to promoting academic investigation by ensuring more efficent bibliographical research in the fields of Accesibility and Audiovisual Translation.
Biblio
]
.
Audio Description for Children: Once upon a time there was a different audio description for characters. Between Text and Receiver: Accessibility, Dubbing and Translation. . Forthcoming. Bern: Peter Lang
.
Text-to-speech audio description: towards wider availability of AD. The Journal of Specialised Translation. (15, pp. 142-162). 2011
.
Overcoming barriers - the pioneering years of audio description in Poland. Audiovisual Translation in Close-up. (pp. 279-297):279-296.. 2011. Bern: Peter Lang
.
Opera multimodal translation: audio describing Karol Szymanowski's Krol Roger for the Liceu Theatre, Barcelona. The Journal of Specialised Translation. (15, pp. 163-179). 2011
.
From the describer's mouth: reflections on creating unconventional audio description for live theatre. Audiovisual Translation in Close-up. (pp. 257-279):257-278.. 2011. Bern: Peter Lang
.
Voice-over Translation. An Overview. . 2010. Berna: Peterlang
.
Universal design on stage: live audio description for theatrical performances. Perspectives: Studies in Translatology. 18(3, pp. 189-203). 2010
.
Three W's for two I's. How Who, Whom and What convey Information and Interest (through cohesion) in Audio Subtitling. . 2010. Roehampton University
.
Standardy tworzenia audiodeskrypcji do produkcji audiowizualnych. . 2010. Bialystok
.
Soundtrack in mind. Projections. 4(1, pp. 41-67). 2010
.
Re-fashioning fashion: an exploratory study of a live audio described fashion show. Universal access to live content for people with vision impairments. 9(1, pp. 63-75). 2010
.
Opera Audio Description at Barcelona's Liceu Theatre. New Insights into Audiovisual Translation and Media Accessibility. Media for All 2.. (pp. 227-237):227-237.. 2010. Amsterdam: Rodopi
.
Horatio Audio Describes Shakespeare's Hamlet: Blind and low-vision theatre-goers evaluate an unconventional audio description strategy. British Journal of Visual Impairment. 28(2, pp. 139-156). 2010
.
Evaluation criteria and film narrative. A frame to teaching relevance in audio description. Perspectives: Studies in Translatology. 18(3, pp. 143-153). 2010
.
Enhancing the entertainment experience of blind and low-vision theatregoers through touch tours. Disability and Society. 25(2, pp. 231-240). 2010
.
The Cognitive Effectiveness of Subtitle Processing. Media Psychology. 13(3, pp. 243-272). 2010
.
Clustering of Gaze During Dynamic Scene Viewing is Predicted by motion. Cognitive Computation. 3(1, pp. 1-20). 2010
.
Audio narration: re-narrativising film. Perspectives: Studies in Translatology. 18(3, pp. 231-249). 2010
.
Audio description, audio narration - a new era in AVT. Perspectives: Studies in Translatology.. 18(3, pp. 141-142). 2010
.
Audio description with audio subtitling - an emergent modality of audiovisual localisation. Perspectives: Studies in Translatology.. 18(3, pp.173-188). 2010
.
Audio description as audio drama a practitioner's point of view. Perspectives: Studies in Translatology. 18(3, pp. 205-213). 2010
.
Approaching the audio description of humour. Entreculturas. (2, pp. 87-103). 2010
.
The translation of narrative fiction: impostulating the narrative origo. Perspectives: Studies in Translatology. 17(1, pp. 15-32). 2009
.
Towards a multimodal pragmatic analysis of film discourse in audiovisual translation. Meta. 54(3, pp. 468-484). 2009
